J.S. Bach, Biber, Marini, Corelli are four protagonists of baroque music that no one would associate to the harp. However, they worked in environments where the activity of harpists is widely witnessed, and where a repertoire for the solo harp, while it surely existed, was never written down.

Based on this premise, and after a deep research on original sources, an ambitious project is born. It suggests that the repertoire of the violin, which shares many idiomatic features with the harp, has long been a source of inspiration for harpists.

 Hence, here some of the most well known and virtuosic pieces for the violin have been adapted to the harp, giving a fresh second life to these compositions, drawing light to new shades and unexpected reflections.

Flora Papadopoulos, after important collaborations with some of the best known European ensembles of early music , debuts her first solo album. Through personal, highly experimental and empiric paths, she restores a fascinating musical practice that has been long lost.

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